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NEO-ART IS NOT IT NEOIMPRESSIONIZM art A-NEO! Neoimpressionistami called artists who have entered and, since 1886 to develop the so-called separation technique using an optical trick of mixing shades and colors. These artists who adhere to the fixed laws of art: rhythm, sense of proportion and contrast, came to the new technology, desiring to reach the most luminous colors and harmony, that it seemed impossible during any other way ... Their method is affected by this conviction - is the traditional method and flow logically from the previous methods ... Painting inevitably had to come to him after the method of Impressionist ».
Academism (from the Greek. «Neos» - «new») - During involving impressionizmom and develop it. The purpose of Academism - to conclude a picturesque intuition Impressionists as part of the scientific method that guarantees against possible errors. The concept divizionizm (from France. Division - «division») is the essence of neoimpressionistov based on the law of optical perception. The eye is able to synthesize the desired color, combining light rays, thus, the artist can not try to mix the color on the palette. It should simply apply the basic components of light colors in certain combinations on the canvas. Pointillism (from France. Point - «point») - This technique neoimpressionistov. Net color shall be selected by small strokes, like the point.
The main representatives Academism were Georges Seurat and Paul Sinyak. Georges Seurat (1859 - 1891) took place from the Parisian bourgeois. School of Fine Arts finished, he invited Fair in 1884 for the first time a large (two to three meters) canvas - «Swimming in Anere» (1883-1884 biennium.). The artist has sought to perfect beauty, harmony lines and colors, rise to the occasion simple ritual action. Denied room, the canvas was exhibited in the «Salon independent» and became the first major product of Sera.
Paul Sinyak (1863-1935) had come from a wealthy family. He began to paint early, uvleksya Impressionism. Sinyak simultaneously with Sera put in the «Salon independent» landscapes, written in a manner impressionisticheskoy. Getting the artists was the beginning of Academism.
Over the next two years, Seurat worked on canvas «Sunday Afternoon on the Island of Grand Zhatt» (1884). Many drawings from nature and scenic designs zapechatleli search patterns and landscape. The complete work, first shown at the Eighth Impressionist exhibition, caused bewilderment, elation and controversy. The main difference between this picture of «bathing in Anere» was changed in the manner of writing. Written by small strokes, it was like weave of the huge number of shades. All figures are face to the viewer or profile. The positions constraint, people are not visible, but striking details: the monkey, dogs, umbrellas, walking sticks, pipe and cigar. Frozen, as if by magic, landscape surrounded by a strange, unreal air.
Over the next six years Sera showed one by one, several paintings, indicating stages in the development of his course. «Model» (1886-1888 biennium.) - A large canvas, which depicts three model in different poses. Song static, a color picture is built on the basis of divizionizma: surface covered with small spotted paint clean tones.
The last picture Sera «Circus» (1890-1891 biennium.) Was exhibited in the «Salon independent» 1891
Unlike the impressionists Seurat moves on the canvas is not an instant impression of uvidennogo, circus performers and audience together in a coherent, well-designed composition.
Georges Seurat died suddenly nine days after the opening of the Exhibition. For several years he collected art around a small group of adherents and admirers. The most zealous supporter of his became Sinyak. He linked the continued existence Academism. This artist was his advocate, has written several articles and the end of life has remained faithful to its principles.
Depart from Impressionism, Academism turned into art during reflecting one of the parties to search for creative end of XIX century. Intelligence and a new approach to painting techniques not only made it a significant phenomenon of art, but also enabled him to influence the artistic life of the early XX century.
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