Consumer Electronics buying tips for consumer electronics items

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buying tips for consumer electronics items
The incorporation of Buying Guide makes this portal unique in terms of providing buying tips to consumers and to make them execute the deal prudently. Looking to save money , KuberDeals should be your

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The buying guide meant for aiding the consumers regarding the first hand knowledge of consumer electronics products and making them aware of do's and dont's regarding the purchase of products.

The buying guide is arranged according to different categories of products, thus aiding the consimers in taking the wise decision before buying the consumer electronics product.

Currently the buying guide is divided into two major categories Computers and Electronics , which is further divided into subcategories.

The buying guide for Computers Category is further divided into following subcategories:

CD / DVD DRIVE
HARD DRIVE
DESKTOP PC
NOTEBOOK / LAPTOP / TABLET PC
SCANNER
PRINTER
SOUND CARD
VIDEO CAPTURE / CONVERTER
VIDEO CARD
WEBCAM
WIRELESS NETWORKS

and the Electronics category is divided into following sub categories:
ANSWERING MACHINE
CAM CORDER
DIGITAL CAMERA
FAX Machines
HEADPHONES
SPEAKERS
TELEVISION
MP3 PLAYER
CD / DVD PLAYER
PDA
PROJECTOR
TELEPHONE
CELLPHONES
IPOD

The incorporation of buying guide serves the twinfold purpose:

1. Giving first hand knowledge of the product to the consumer.
2. Making the consumer aware of the prevalent standards or technologies with respect to product.
Let us discuss the case of DIGITAL CAMERA .....

A digital camera is based on similar photographic processes as those used in film photography, so it's worth pointing out how a film camera works first, in order to understand how a digital camera works.
A film camera is basically a light-tight box with a lens at the front, featuring light-sensitive material (the film) inside. The lens focuses light onto the film, while a shutter sitting behind the lens controls the level of light allowed through to the film. A film camera has mechanisms that then allow the film to be wound along, and provide control over the lens aperture and shutter speed.
The other complicated element which then comes into play is the viewfinder. Less expensive film cameras can sometimes have a separate lens that shows in the viewfinder the approximate scene that will be recorded onto the film. A high-quality film camera, known as an SLR (single lens reflex), instead uses the camera's main lens for the viewfinder. The advantage of this is that what the user sees via the viewfinder is exactly what will appear on the film - even down to seeing the focus of the picture.
Although digital cameras work on a similar principle, the biggest difference between them and their predecessors is the replacement of film with light-sensitive sensors. Instead of using film, the light sensor device absorbs the light particles and converts them into electrical charges. Sensors can be thought of as a grid of thousands or millions of solar cells which transform the image into an electrical charge. The bigger the hit of light to the sensors, the greater the electrical charge produced, which means the photo will be more exposed.
Once these charges have been recorded, the next step is to read the accumulated charge of each. When capturing and converting these charges, the sensor cells are colour-blind, recognising only the intensity of the light. Digital cameras, therefore, have to employ coloured filters to produce the spectrum of colours which is present in the picture. The standard way of doing this is to rotate coloured filters across the sensor. These are usually green-red and green-blue filters.
Once both the charge and colour have been recorded, the final step is to convert the analog signal to a digital one by passing the information on the sensor through an analog to digital converter. This will turn the information into binary form, which can then be interpreted by a PC.
The predominant sensor used in digital cameras today is a charge coupled device (CCD). The actual size of CCDs (which can measure anything from 0.25in to 0.66in across) is relatively unimportant: it's the number of pixels that matter. The point at which digital cameras compete seriously with 35mm film cameras is the 5 megapixel point. For small prints, however, or screen-based work such as Web pages, 2 or 3 megapixel cameras represent a good compromise.
And the CCD isn't everything, either: some of the higher-end cameras have only 2 megapixel sensors, and rely on a more expensive lens. Another thing to note is that sensors in a digital camera are smaller than their film counterpart, so the lens required to produce similar-sized images via a digital camera is smaller. So, while the lens on a digital camera doesn't need to be as big, it will nevertheless affect the quality of your image as much as a lens on a conventional camera.
Most low-end digital cameras have a fixed focal lens, while the mid-range models provide more flexible autofocus for subjects at a variety of distances. Manual focus lenses, which are common on SLR film cameras, are making an appearance on digital cameras, but only at the higher end of the scale.